Thursday Thirteen
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Thirteen Things I'm Looking Forward to in April 1. No more Girl Scout cookies!!! What are you looking forward to next month? |
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Thirteen Things I'm Looking Forward to in April 1. No more Girl Scout cookies!!! What are you looking forward to next month? |
I was talking with a non-writer friend of mine the other day and we were discussing literary agents.
I was trying to explain how it works:

He said something that really boiled it all down to a digestible size morsel: "Sounds like literary agents are a lot like Realtors. You've got some who are go-getter's and walk neighborhoods knocking on doors and others who sit in the office filing their nails waiting for the phone to ring."
There are so many agents out there. The chances of a new author landing one of the big-names is very small. It happens, and when it does, it's great. But when you look at the numbers...well, they're less than encouraging.
Still, I think there is a lot to be said for younger, hungrier agents. But the big caveat there is that you don't know until you try them, until you put your book in their hands, until you work with them on edits and ideas, until you receive emails and phone calls in a timely manner, until you've gotten thorough and satisfying answers to your questions.
Bottom line, unless your agent is uber-agent, you won't really know how the business relationship will work out for both of you until you've spent some time working with them. Unfortunately, that time could be wasted time, depending on the agent, the author, the market, a million different factors. Even top agents don't always fit with your ideas or your personality.
I guess you just have to gather that experience, tuck it away, keep writing, keep learning, keep your ears open and your fingers on the keyboard. At the risk of offending, I don't think a prayer now and then would hurt either.
I often feel like this industry is a big, old crap shoot.
Any advice on agents?
Read more...I suspect that all writers are superb escape artists--after all, if reading is a good escape, writing has got to be the ultimate. Then again, I suppose it depends on what you're trying to get away from.
There are pros and cons to escape. I think the key to knowing when you've gone from good to bad to ugly is consequences.
I'm a grand master escape artist. I've got so many escapist ideas I could do nothing but escape reality everyday for a year. Good thing I also have a relatively strong work ethic and a streak of compulsiveness or I could potentially be divorced, broke and unemployed.
The good: taking a focused break. A break with purpose that allows you just enough escape to get your balance back and enables you to face reality again with a clear head and renewed determination. You know you're at the "good" level if you feel refreshed and ready to go when life rushes up at you.
The bad: letting the break linger, unproductive. This diversion tends to drift past a reasonable amount of time. When reality encroaches on your escape, it means you've dwelled there too long. The bad escape can quickly sink into...
The ugly: important elements of reality go ignored for too long and consequences start cropping up--the bills don't get paid, laundry reaches the ceiling, cats start scouring the neighbor's house for food, kids call and ask, "Where are you? I've been waiting at school for two hours."
I've never actually been guilty of forgetting the kids...but those others...well, let's just say I'm dealing with a few of them at the moment.
What level escape artist are you? What are your favorite forms of escapes--from life, from writing, from whatever?
I'm a little stunned. Not sure how this happened, but I've won four books in the last month.
Whoo-hoo!
What have you won in past contests? Any contests?
Elisabeth posted over at RWKF on overload.
Timely. I'm suffering my own overload. Although, not in writing like she is -- just life. Add to that the gorgeous weather we've got around here, and I'm coming down with the melt-into-a-chair-and-do-nothing syndrome.
(Of course, it could be the spring fever thing -- more light and longer days are kicking my brain chemicals out of whack.)
I'm also suffering from a little cabin fever. Seems that so many families I know have been traveling lately--two went to Hawaii, one is now in Fiji, another going on a Carribean cruise over spring break. Even my husband got to hang in San Diego for a few days searching out hotels for his next convention and now he's in Washington D.C. I want to go somewhere, too! Waaa!
But those of you who know me, know the lethargy won't last long. I'm too much type A. Can't sit still or I go a little nutso.
Can you sit still? I mean, without feeling guilty? Have you been traveling? Planning a trip? Tell me so I can live vicariously...or just dwell in a jealous limbo.
I'm discovering there is a lot of science behind things I took for granted were...well, they just were.
In my post at Romance Worth Killing For on Valentine's Day, I outlined a few interesting tidbits of information on the chemistry of love.
I just finished a class on creating sexual tension and discovered, yet again, that the sex drive, attraction and love are all evolution and chemistry based.
Now, I try to look up a bit of info on spring fever and what do I find? More science!
Here's what the experts say:
This information echoed the article in National Geographics on love chemistry: novelty increases the dopamine and norepinephrine levels in the brain. Dopamine, norepinephrine and serotonine are chemicals that give us that high we experience with new love. Key word there: New. Novelty.
Which got me to wondering...is that why some people have affairs? Why they can get addicted to affairs and have serial affairs or continue an affair even when their logical mind tells them it's not ethical or practical?
It's been proven that people with OCD and people newly in love have similar brain chemical make-ups. Are affairs a combination of novelty and obsession? Of high dopamine and low seratonin? And if so, could someone prone to affairs be phamaceutically treated for such a bent?
I could go off on all kinds of tangents here. Interesting concept, don't you think?
Read more...
I'm so excited. After giving away so many things on RWKF...I actually won someone else's contest.

That's how I'm feeling at the moment...blah, boring.
You may have noticed there's a lot of talk right now on Voice. I must be on the collective blogger's wavelength, because I wrote about it on RWKF last week. And in talking about voice, the topic of originality always comes up. Unique story lines, fresh voice, intruiging perspectives.
Its all been on my mind lately, and I have to say I'm feeling quite...vanilla. I can't find any of that in my past or present works. It may be that I'm too close to it, that I can't see my own growth when I'm working at it everyday. I'm sure that's true to a point. But I also think I'm objective enough to realize my work doesn't have the spark it should.
I'm rewriting Dead Man's Hand, and have found it lacking in every aspect. Why was I writing this story? What was it about this that intruiged me to begin with--enough to get through the first 15 chapters?
My characters won't let me in their heads. They stick their tongues out at me or turn their backs when I try to engage them in coversation. My red herrings are more green than red, my twists more a slight curve than a corkscrew.
I have a paying job...a few actually...none of which include writing at the moment. Realistically, even if I were to sell a manuscript, or two, or three, I most likely wouldn't quit that day job. One, I doubt I'd make enough money to warrant quitting. Two, I really like the people I work with. And three, my patients give me a lot of character and plot material.
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